MICHAL BONCZA, LEO BOIX, MARJORIE MAYO and ANDY HEDGECOCK review The Kingdom, Young Hearts, Marlee Maitlin: Not alone any more, and Stans
‘When it comes to Britain’s colonial past, music can be part of that reckoning’
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO
Roella Oloro, 2021
[Jack Kendon] 
ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
PAUL BUHLE agrees that a grassroots movements for change in needed in the US, independent of electoral politics
MIKE COWLEY relishes an exhibition that reminds us, in the teeth of establishment pushback, that lasting change always begins in workplaces, communities and the street
ED RAMPELL is disappointed by the confusing results of embedding cameras amid a Ukranian platoon
KEVIN BRYAN reviews Soul 66, Suzy Thompson, and Butterfield Blues Band
With reservations, RON JACOBS recommends a deep dive into the nature, history, and mindset of US intelligence
IT was an especially groovy session at the Vortex, with Roella Oloro’s sparkling piano, the plummeting, dancing bass of Rio Kai and the deft, everywhere drums of Andee Liu.
Roella plays in and out of the tradition with such pride and skill, that if you shut your eyes you could be hearing moments of Geri Allen, Mary Lou Williams, Tommy Flanagan or her earliest inspiration, Oscar Peterson. How they would have loved her!
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
