ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Best of 2024: Andy Hedgecock
Two books and a film that examine cultural excavation and the impact of place on behaviour
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
PAUL KNOX’s London: A History of 300 Years in 25 Buildings (Yale, £25) is a salmagundi of celebration, inquest, polemic and prophecy.
Each chapter is the biography of a building in which architectural analysis triggers thoughts on fashion, morality, marketing, celebrities, ergonomics, local government and the collision of past and present. These apparently digressive ideas coalesce into a meta-narrative of the city’s evolving identities.
The oldest building considered is a neoclassical townhouse of the 1750s; the newest is Google’s state-of-the-art UK headquarters (opening in 2025).
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