AYOUSH LAZIKANI introduces her guide to the many ways in which the Moon was interpreted in medieval times
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Heaven in a wildflower
ANGUS REID speaks to Angus Farquhar about the political roots of his work with communities from the 1980s to the present day, and why he is inviting everyone to plant seeds in Glasgow Necropolis
COMMUNITY ACTION: Volunteers begin work on The Memorial To The Unremembered in Glasgow Necropolis
[Alasdair Smith] 
An analysis of the choices facing the US left has to reach beyond the confines of the Democrat party, suggests RON JACOBS
FRANCIS BECKETT introduces his new play that aims to give its audience a taste of what a far-right triumph would be
KENNY MACASKILL welcomes an outstanding biography that gives full context to the life of Scotland’s greatest early 20th century novelist
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Ackroyd & Harvey: The Art of Activism, The Lost Bus, A Big Bold Beautiful Journey, and Happyend
MARY CONWAY relishes the spectacle of a domestic implosion in a setting strangely divorced from any social, political or cultural context
SINCE the early 1980s and Test Dept, Angus Farquhar’s work has been founded in collective action, and large-scale community projects. What is it that makes people act collectively?
“There has to be a good idea,” he replies. “It has to be something that sparks each person individually, so that they can give of themselves without losing part of themselves.”
The work started in protest against Thatcher. “But,” says Farquhar, “we were always on the losing side, in solidarity with the miners’ strike, the ambulance workers’ strike, the print workers’ strike. I was very involved with those at the time. It was very black and white.”
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