A California union’s decision to host a meeting about US policy towards Cuba has prompted a congressional probe and renewed attacks on international solidarity, writes CAMERON HARRISON
WE have spoken before about the fact that the digital age has, in many ways, made it more difficult for musicians and creators to make a living.
Whereas previously musicians could look forward to a steady income stream from recorded music, the advent of downloading, mp3 players and streaming services mean that the money that performers get from sales of recorded music has reduced massively.
However musicians have always been quick to adapt to changing markets — they have had to many times over the years.
CHRIS SEARLE speaks to Argentinian saxophonist CAMILA NEBBIA
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
ANSELM ELDERGILL examines the difficulties surrounding freedom of expression
PAUL W FLEMING is unequivocal that Labour’s unpreparedness and resulting ambiguity on copyright in the creative industries has to be reined in with policies that will reverse the growing abuse by Big Tech AI



