MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
NINE years in the making, Whole Hog’s official version of Makoto Shinkai’s 2013 anime film is a love story based on the original Japanese “koi,” meaning love as a longing for someone in solitude rather than the later, Westernised idea of romance. The engaging story explores seven individuals living in the crush of a metropolis struggling to connect to those that are close to them.
The “everyperson” inference in the work’s title does not fully summarise this pair’s idiosyncratic honing of a presentation that could be described as live sculpture or off-beat installation.
They feature low-tech knits and nylons. They deploy lavish live camera-work and deft illusion. They obsessively make a world of surprise and wonder that proffers universal access.
MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston



