Latest editorial
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JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
Fear and Misery of the
Third Reich
Union Theatre, London SE1
4/5
BERTOLT BRECHT’S reputation in this country rests largely upon productions of plays such as The Life of Galileo, Mother Courage or The Caucasian Chalk Circle, works in which he employs epic theatre techniques to “make the familiar strange” and thus lay bare the underlying contradictions of societies based upon ruling class exploitation and the ideological mechanisms underpinning it.
Written in the same period as these great works, Fear and Misery of the Third Reich is something of an exception in its abandonment of parable and historical revisionism to speak directly to audiences about contemporary events.
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