Jimmy watches Countdown and tries to ignore his bills, grief, COPD and frailty. Meanwhile, his carer walks a tightrope between kindness and reality
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What's the point, Darling?
MARY CONWAY wonders what the mixed messages in a play about a woman’s quest to be the perfect 1950s housewife are aiming to communicate
Richard Harrington as Johnny and Katherine Parkinson as Judy in Home, I'm Darling
[(c) Manuel Harlan]
JOHN FLINT explores the Appleby Blue development, winner of the Stirling prize 2025
GORDON PARSONS enjoys the wealth of wisdom and the clarity of expression from a dialogue between Chomsky and Mujica
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
MARIA DUARTE, FIONA O CONNOR and JOHN GREEN review The Choral, Belen, Dragonfly, and Colossal Wreck
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
Home, I’m Darling
National Theatre, London
YOU never get short-changed at the National, especially when it comes to design and technical wizardry, and Laura Wade’s Home, I’m Darling is no exception.
With Anna Fleischle’s chocolate box set of a whole '50s house in spanking fresh colours, patterned wallpaper and manicured perfection, a soundtrack of stomping period classics and a flood of warm light ironically bathing the rooms in sunshine, the feeling is all of a simple and optimistic life.
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