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The Washington Post: Watchdog or stenographer to power?
The Washington Post’s coverage of the Pentagon Papers and Watergate was in reality only a small island of dissenting journalism in a sea of stenography to established power, writes IAN SINCLAIR

STEVEN SPIELBERG’S new film about the Washington Post’s decision in 1971 to publish the Pentagon Papers — a secret history of the Vietnam War that proved successive US presidents had lied to the US public — has received huge amounts of critical acclaim.

The Post “is a pointed celebration of liberal decency” and “a stirring example of principle,” wrote Peter Bradshaw, the Guardian’s film critic, in his four star review.

Jonathan Freedland, the Guardian’s senior liberal hawk, made a case last month for the film to be awarded best picture at the Oscars, arguing it’s a newspaper story “full of … integrity.” 

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