MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
ear for eye
Royal Court Theatre, London
BLACK is so much more than a colour. It’s a brutal truth that, if your skin is black, the world responds to you with hostility.
And in her new play, ear for eye's writer and director debbie tucker green, in brilliant rainbow hues, shares what it’s like to live within a black skin and to daily face entrenched assumptions that go way beyond prejudice from time immemorial.
A superbly acted ensemble piece, it has all the verbal pyrotechnics and structural precision of a long and vivid poem. Its three-part narrative, more telling in its abandonment of chronological progression, reveals the depth of experience in the moment.
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
EWAN CAMERON trawls the Edinburgh fringe for new political drama
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival


