MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
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Riotous colour and queer resistance from the Maghreb
LEO BOIX recommends a refreshing, non-Western and subversive look at what it means to be LGBTQI+ in Morocco
Soufiane Ababri Bedwork, 2023 (L to R) Men in the sun; La Reparation
[Rebecca Fanuele] ![REBELS: Ebada Hassan and Safiyya Ingar in Nadia Fall’s powerful debut feature Brides [Pic: IMDb]](https://msd11.gn.apc.org/sites/default/files/styles/desktop/public/2025-09/round%20up%20web_0.jpg.webp?itok=41xI6jhN)
MARY CONWAY recommends an early Shakespearean tragedy that feels so contemporary that it mirrors our daily news
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity
MARY CONWAY is frustrated by a new play that loses its drama amid the moral dilemma of re-settling children in the aftermath of WWII
Acclaimed as a masterpiece when it premiered, this study of story-telling in an Irish pub more than lives up to expectations, says MARY CONWAY
SYLVIA HIKINS relishes a comedy that dives deep into Liverpool’s divided loyalties
Soufiane Ababri: Their mouths were full of bumblebees but it was me who was pollinated
The Curve, Barbican
SINCE the so-called Arab Spring of 2011, Morocco has seen a growing social movement that has managed to mobilise large numbers of citizens around socio-economic, political and identity demands.
Within those groups, activists who identified as LGBTQI+ brought forward necessary discussions around sexual orientation and the rights of that specific community within contemporary Morocco and in the wider Arab world.
Moroccan artist Soufiane Ababri (b1985) has added his own voice to the struggle with a dazzling art commission currently at the Barbican’s Curve Gallery — his first solo exhibition at a major British institution.
More from this author
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency
