MICHAL BONCZA, ANGUS REID and MARIA DUARTE review Alpha, Park Avenue, The Running Man, and Left Handed Girl
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Reel concerns at Cannes Film Festival
AB Shawky's Yomeddine sees a pair of outcasts flee a leper colony and an orphanage in a captivating portrait of modern Egypt
ALEX HALL recommends a considered and clear approach to dismantling apartheid and occupation, were Israel to come to its senses
Chris Searle speaks to saxophonist and composer SOWETO KINCH
The Arctic in Guillermo del Toro’s Frankenstein reveals more about imperialism than about monsters, suggests MONICA GERMANA
ANDY HEDGECOCK enjoys an unusual collection of stories that refract class consciousness through the flexible lens of folk horror
MARK JONES salutes the progeny of the Cocteau Twins for a new music built for today’s dreamers
WITH less emphasis on glamour and red carpet, Cannes got off to an unusually strong start with one of the most substantial opening films in years.
Asghar Farhadi’s Everybody Knows is a tense Spanish-language kidnapping drama starring Penelope Cruz and Javier Bardem in which Laura (Cruz) returns to Spain to attend her sister’s wedding in a rural community where everyone’s lives are intermingled in innumerable ways.
The nuptials, involving the whole village, are suddenly plunged into darker territory when, during a power cut, Laura’s daughter is kidnapped and the repercussions are intriguingly tangled.
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