MARY DAVIS welcomes a remarkable documentary about the general strike — politically spot on, and featuring accounts from the strikers themselves — that is available for screenings
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An ongoing sense of ‘startling dread’
MICHAL BONCZA recommends an exhibition of uncompromising paintings by a 17th century artist whose work speaks to our own times
Head of Saint John the Baptist 1644
DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
New releases from Peruvian Ranil y Su Conjunto Tropical, Leve Leve: Sao Tome & Principe, and South African BCUC
MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
WILL STONE applauds the anniversary tour of Pills 'n' Thrills and Bellyaches by Madchester icons, Shaun and Bez
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
Ribera: Art of Violence
Dulwich Picture Gallery, London
JOSE (JUSEPE) RIBERA was born in Xativa near Valencia, a town famous in Roman times for its linen and where later the Arabs introduced paper-production technologies.
Ribera came from a well-to-do household, but he was attracted by Italy and the career in letters favoured by his family was shunned in favour of adventure. By 1612, aged 21, he was in Rome and lived in the house of a cardinal impressed by his dexterity at copying frescos. Locals started calling him Lo Spagnoletto (the Little Spaniard).
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