JOHN WIGHT explores the life and legacy of a working-class boxing legend
A GLOBAL icon for whom the only constraint is none whatsoever, who wears his vulgarity, bombast and disregard for humility as a badge of honour, what does MMA star and currently Ireland’s most famous son represent if not the moral void in which sits the values of an American Dream that stand as a grotesque perversion of the human condition?
Nietzsche’s “will to power” is embodied in the rise of Conor McGregor from a working-class housing estate in Dublin to the summit of fame and the riches of a latter day Crassus; riding the wave of a sport, mixed martial arts, which acquaints with the most primal of our origins, rooted in brute cruelty and a thirst for glory that must needs can only be satiated at the expense of others.
From a distance, McGregor appears to be living the “dream” — which has it that holds that the summit of human happiness, meaning and value is a place of unbounded fame, riches and, with it, the licence to proclaim: “Fuck you” to the world of mere mortals that lies beneath and from you have escaped.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
When Patterson and Liston met in the ring in 1962, it was more than a title bout — it was a collision of two black archetypes shaped by white America’s fears and fantasies, writes JOHN WIGHT
The outcome of the Shakespearean modern-day classic, where legacy was reborn, continues to resonate in the mind of Morning Star boxing writer JOHN WIGHT



