RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation

IN THE aftermath of the bloody coup d’etat of September 1973 by general Augusto Pinochet against Chile’s democratically elected government of president Salvador Allende nearly 40,000 people were illegally detained and/or tortured in Chile and more than 3,000 were murdered or disappeared.
Chilean author Nona Fernandez’s masterful The Twilight Zone (Daunt Book Originals, £9.99) is a devastating attempt at giving voice to those victims of Pinochet’s regime.
Fernandez employs Rod Serling’s influential television series The Twilight Zone as one of the novel’s thematic nuclei. The book is divided into four sections or “zones,” where each character ends up dealing with often disturbing or unusual events. In each case, the experience is described as entering “the Twilight Zone,” often with a surprise ending or a point.

A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin

LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez

LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro

LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency