FIONA O’CONNOR and MARIA DUARTE review State of Statelessness, Rental Family, 28 Years Later: The Bone Temple, and The Rip
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Letters from Latin America: September 23, 2019
Fiction and poetry from Giusseppe Caputo, Juan Villoro, Carlos Andres Gomez and Mario Montalbetti
Exceptional debut: Giuseppe Caputo
MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
THERE are books that stay with you long after you put them down and one of them is An Orphan World (Charco Press, £9.99), the debut novel from Colombian writer Giuseppe Caputo. Rich in images, registers and nuances, it's a book you can almost read as a long, lyrical poem.
In it, a father and his son attempt to survive poverty by moving into a poorer neighbourhood near the sea, possibly somewhere in Latin America.
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