STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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It’s not what you say, it’s the way that you say it
GORDON PARSONS relishes a play that reveals how language carries much more than simple communication
ELOQUENT SILENCES: The company in English by Sanaz Toossi
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
English
The Other Place, Stratford-upon-Avon
WITH language at the centre of current battles, not only with gender identity issues but also within our phoney culture wars, Iranian-American dramatist Sanaz Toossi’s Pulitzer Prize-winning play arrives in Britain spot on cue.
Set in an Iranian TOEFL (Test of English as a Foreign Language) classroom, a mixed group of four adult students engage with their linguistic struggles under the demands of their enthusiastic anglophile teacher who insists they communicate only in English.
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