RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Ireland is a Landlord
by DECLAN GERAGHTY
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
It’s just doors and walls
just a tiny spot of land
just plastic and wood
just tubes and metal
for water and heat
cables for light
a chair to sit down on between the walls
to rest your weary bones
walls to protect from the wind and cold
the roof from rain and elements
and it’s all a trap,
it’s all set up
they have us on a hamster’s wheel
just to have four walls
and a roof from the elements
and it gets heavier
the burden of rent
the pressure
until you can’t afford to eat
or put on the heat
just breathe and wait
in the cold between four walls and a roof
not to mention the floor
although we get walked over as well
and there will come a time
when we all know when
when to stand up
and say no more no more to this madness.
Declan Geraghty is a writer and poet from Dublin, with poetry published in The Brown Envelope and The Cry of the Poor anthologies. First published online in Culture Matters, April 2022.
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