MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Film round-up: April 10, 2025
The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
Maiwene Barthelemy and Clément Faveau in Holy Cow
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
Holy Cow (15)
Directed by Louise Courvoisier
★★★★
SHOT in France’s Jura region with non-professional actors, Louise Courvoisier’s debut feature is touching, elegiac and funny. A coming-of-age drama about friendship, integrity and post-industrial agriculture, it also reveals the agonies of making a wheel of Comté cheese.
A splendidly chaotic opening scene sets the tone. It features a cow sitting in a car, a man in a ragged vest lugging a beer barrel through a rural gala, and a drunken 18-year-old, Totone, performing a naked jig on a tabletop.
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