The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Word perfect
GORDON PARSONS wonders at a near perfect production of Shakespeare’s eloquent fairytale
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Cymbeline
The Royal Shakespeare Theatre
MODERN directors of Shakespeare often appear to start with the question, what do we want or, at best, encourage the play to say? To be fair many of his plays lend themselves to this drive for “interpretation”.
For his return to the theatre he has worked at for 30 years and the company he has led since 2012, the grandly named artistic director emeritus, Greg Doran, has recalled one of the central tenets of the RSC’s founders.
When Peter Hall and John Barton established what was to become a leading world theatre company in 1960, they centred their work on the language of the plays. The actors must not only pursue a surgical analysis of linguistic meaning but understand that the communication of the plays lay in the shape and rhythm of the blank verse.
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