MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Womad 2022: Flamboyant, vibrant and carnivalesque
WILL STONE is engulfed by the magnificence of the returning festival
gil
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JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
WOMAD
Charlton Park, Wiltshire
THERE is possibly no other festival as flamboyant, vibrant and carnivalesque as Womad – the World of Music And Dance celebrating its 40th year after a two-year break due to you know what.
Every nook and cranny has something to explore, enjoy and be inspired by — whether that might be seeing Brazilian icon Gilberto Gil playing an unforgettable set joined by 14 members of his family, including his five-year-old great-grandson, or stumbling across Luke Jerram’s awe-inspiring giant moon installation located at a mysterious “secret forest” that nobody is quite sure where to find.
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