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The Welkin, National Theatre London
Riveting and original exploration of women's lives in mid-18th century England
Maxine Peake in Welkin

THE MONOCHROMATIC, yet stylish, opening scene of a dozen women isolated in their daily drudgery in Lucy Kirkwood’s new play initially appears to be heading towards well-worn territory — the trial format of Twelve Angry Men.

But those brought together are a “jury of matrons” and their role is to decide whether the guilty woman in front of them is pregnant. If she is, she escapes the noose for transportation instead.

With only the nominal supervision of a muted court official, this eclectic group is temporarily released from daily oppressive routines to freely argue another woman’s fate.

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