Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Preparing for trauma
MARY CONWAY applauds the dramatic reconstruction of one woman’s experience in one precise location in Gaza in the present era
knock
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
A Knock on the Roof
Royal Court, London
A KNOCK ON THE ROOF is a one-person show.
Written and performed by Khawla Ibraheem, and originating off-Broadway, it takes us through one woman’s experience in one precise location in Gaza in the present era. And its veracity sings.
Ibraheem, herself, is actually Syrian, but her life in the Golan Heights supported by extensive conversations with people from Gaza has equipped her to develop this play which is directed with unswerving confidence by Oliver Butler.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
