LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
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The upside of regicide
GAVIN O’TOOLE relishes an account of the ideological creativity that was sparked by the abolition of the monarchy in England
STUFFY AUTHORITARIANS: Charles I by Anthony Van Dyck, 1635; Charles III, 2019
[Mark Tantrum/CC; The Royal Collection/CC]
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
EWAN CAMERON trawls the Edinburgh fringe for new political drama
In a season of Greek mythology NIAMH THORNTON looks at an intriguing relocation of Medea to contemporary Mexico
The Blazing World: A New History of Revolutionary England
Jonathan Healey, Bloomsbury, £30
WHAT better way to mark the coronation of Charles III than to recall the execution of his predecessor, Charles I, as the crowning moment of a revolution?
The dethronement of Charles in 1649 ushered in an unprecedented experiment in republicanism amid extraordinary ideological ferment the like of which England has not experienced since.
Given the forthcoming accession of his namesake, it is tempting to make comparisons between the 17th-century monarch and that of today.
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