JOHN GREEN, MARIA DUARTE and ANGUS REID review Fukushima: A Nuclear Nightmare, Man on the Run, If I Had Legs I’d Kick You, and Cold Storage
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The upside of regicide
GAVIN O’TOOLE relishes an account of the ideological creativity that was sparked by the abolition of the monarchy in England
STUFFY AUTHORITARIANS: Charles I by Anthony Van Dyck, 1635; Charles III, 2019
[Mark Tantrum/CC; The Royal Collection/CC]
DENNIS BROE searches the literary canon to explore why a duplicitous, lying, cheating, conning US businessman is accepted as Scammer-in-Chief
MIK SABIERS raises a glass of Lambrini to commentary, diatribes, punk rock riffs, some pontification and a whole lot of fun
BRENT CUTLER unpicks the complex social relations imagined in a novel about the builders of Stonehenge
SUSAN DARLINGTON laments a version of the adventures of Sherlock Holmes that is unable to solve its own problems
New releases from The Thumping Tommys, Dan O’Farrell and The Difference Engine, and Sean Taylor
The Blazing World: A New History of Revolutionary England
Jonathan Healey, Bloomsbury, £30
WHAT better way to mark the coronation of Charles III than to recall the execution of his predecessor, Charles I, as the crowning moment of a revolution?
The dethronement of Charles in 1649 ushered in an unprecedented experiment in republicanism amid extraordinary ideological ferment the like of which England has not experienced since.
Given the forthcoming accession of his namesake, it is tempting to make comparisons between the 17th-century monarch and that of today.
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