The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Understanding the dialectic that is at work
A valuable tool for comprehending which way the momentum is swinging the pendulum of British politics – and why, writes GAVIN O’TOOLE
T+K
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
The Death of Consensus: 100 Years of British Political Nightmares
by Phil Tinline
Hurst, £20
CONCEALED within the pages of The Death of Consensus is a revelation that invites the reader to think about British political history not in terms of events, but processes.
While the author insists from the outset that “none of this is to suggest that history is somehow circular,” that is precisely what his analysis of the “nightmares” upon which a dominant consensus is constructed implies.
The historical logic Phil Tinline unpicks certainly feels Hegelian and, by making the continuities and ruptures explicit, each period he examines becomes a product of contradictions inherent or implicit in the preceding stage. He has discerned a dialectic.
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