RICHARD MURGATROYD enjoys a readable account of the life and meditations of one of the few Roman emperors with a good reputation
The Third of May, 1808 by Francisco Goya
Anti-war painting that heralded a revolution in style and content
The Third of May, 1808 by Francisco Goya
ALEX HALL asks whether intelligence, and stupidity, are the outcomes of poverty and wealth, and cultural norms
BRENT CUTLER is persuaded by a new account of the rise of Christianity, and the fall of the Roman empire
If non-human nature is devoid of value under the capitalist mode of production, this book presents the case for its reintegration, suggests HENRY BELL
The Bard takes issue with a BBC portrait of The Balkans, and sets the record straight
ANGUS REID urges you to visit Britain’s most remarkable - and mind-blowing - festival of contemporary music
MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
IN 1814, Spanish artist Francisco Goya painted The Third of May 1808, also known as The Executions of Mount Prince Pio.
It commemorates Spanish resistance to Napoleon's armies during the occupation of 1808 in the Peninsular War and has become an archetypal image of the horrors of conflict.
It was a commission Goya requested from the Bourbons, about to be restored to the throne of Spain after the calamitous interlude of Napoleonic invasion during the war of 1807-1814.
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