JOHN GREEN appreciates an informative and readable account of the nation state and its current dilemmas, but doubts the solutions this author has to offer
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In the footsteps of Honore Daumier
Cartoons: (L to R) Citizen Chicane and Songi
JOHN MCINALLY recommends that this rational, reasonable and devastating case against the End Of Life Bill be read by every serious socialist activist
CHRIS SEARLE urges you not to miss Mark Sanders’ three night residency at Cafe Oto, Dalston, London
JENNY MITCHELL surveys the work of Hurvin Anderson, now a centrepiece of Britain’s white-dominated art establishment, and explores some of the complexities it opens up about British Caribbean identity
SOPHIE STOLL wallows in a fine live recording of old blues-infused folk songs immersed in American blue-collar culture
ANGUS REID and MARIA DUARTE review DJ Ahmet, Redoubt, They Will Kill You, and The Magic Faraway Tree
“FREEDOM and justice for all are infinitely more to be desired than pedestals for a few,” once said Honore Daumier, the legendary French cartoonist and caricaturist, in what is movingly reminiscent of Labour’s rallying cry, under Jeremy Corbyn, “for the many not the few.”
To illustrate what he meant, in 1831 Daumier “put” the king Louis-Philippe on a pedestal only to mercilessly ridicule him, to much popular acclaim.
The cartoon of the monarch, in the comic journal La Caricature, depicted him as the hideously gluttonous Gargantua, a household personage in France and protagonist of the 16th century satire by Francois Rabelais.
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