Cartoons: (L to R) Citizen Chicane and Songi
MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction
Essays on contemporary Latin American feminism, a poetry debut by a queer Texan of Mexican heritage, and a lush volume of tango and milonga drawings
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
The bard pays homage to his two muses: his wife and his football club
“FREEDOM and justice for all are infinitely more to be desired than pedestals for a few,” once said Honore Daumier, the legendary French cartoonist and caricaturist, in what is movingly reminiscent of Labour’s rallying cry, under Jeremy Corbyn, “for the many not the few.”
To illustrate what he meant, in 1831 Daumier “put” the king Louis-Philippe on a pedestal only to mercilessly ridicule him, to much popular acclaim.
The cartoon of the monarch, in the comic journal La Caricature, depicted him as the hideously gluttonous Gargantua, a household personage in France and protagonist of the 16th century satire by Francois Rabelais.
