Skip to main content
Theodore Gericault's The Raft of the Medusa
The Raft of the Medusa

ON JULY 2, 1816, the French navy frigate Meduse ran aground 100 miles off the coast of Mauretania in Africa due to the navigational incompetence of its master Viscount Hugues Duroy de Chaumareys, a protege of the French foreign minister.

Some 147 people — for whom there was no room in the lifeboats — were put on an improvised raft to be towed. But, in a callous act of wilful and criminal negligence of duty, it was cut adrift on the orders of de Chaumareys.

Only 15 were to survive the two-week ordeal at sea before they were rescued. Immediately, stories of dehydration, starvation, brutality, murder and cannibalism emerged, when a report by the ship’s surgeon, Henri Savigny, was leaked to the newspaper Journal des Debats and published on September 13 1816.

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
songi+winter
Culture / 23 December 2024
23 December 2024
prop1
Books / 3 December 2024
3 December 2024
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
Cairokee
Gig review / 5 May 2024
5 May 2024
MICHAL BONCZA reviews Cairokee gig at the London Barbican
triple
Culture / 29 April 2024
29 April 2024
Similar stories
locke+van gogh
Culture / 30 December 2024
30 December 2024
From van Gogh to Sonia Boyce, from Hew Locke to Patrick Carpenter and... Pablo Picasso
CDF
Opinion / 3 September 2024
3 September 2024
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware its co-option by the far-right
Friedrich
Opinion / 19 August 2024
19 August 2024
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware his co-option by the far right
Degas
Exhibition review / 7 June 2024
7 June 2024
HENRY BELL steps warily through the collection of a Glaswegian war profiteer to experience his collection of Degas’ remarkable images of working people