Skip to main content
A sharply written and beautifully performed piece of drama
SIMON PARSONS recommends an innovatory production that addresses the tragedies of Northern Ireland’s recent history
EXCELLENT: (L to R) Cormac Elliott, Kate Reid, Rachael Rooney and Aoife Kennan [Mark Douet]

The 4th Country
Park Theatre



 

THE group behind this little gem of a production, Plain Heroines, are a female-led company whose mission statement is to make funny plays about difficult subjects and this production does exactly that.

Set in Northern Ireland, the play explores how the tragedies of their recent history, still haunting the present, can be dramatised honestly and effectively and specifically how a play can do justice to the Bloody Sunday victims and their relatives and those who suffered under Northern Ireland’s rigidly cruel abortion laws.

The writer and actress Kate Reid has structured the piece around four interconnected lives and the actors who are trying to play those parts. Stylistically, she uses a light touch and metatheatre to spotlight historic grievances. Out-of-role discussions on alternate structures and approaches to the drama punctuate a largely naturalistic narrative of a family struggling to escape the shadows of the past.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
cry
Theatre review / 1 August 2025
1 August 2025

SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong

5ht
Theatre review / 21 May 2025
21 May 2025

MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction

deal
Theatre review / 14 May 2025
14 May 2025

In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic