GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Quentin Blake – doyen of children’s book illustrators
(L to R) Mr Magnolia by Quentin Blake and The Owl and the Pussycat by Edward Lear
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
Quentin Blake: Illustrating Verse
Kirkby Gallery / House of Illustration
QUENTIN BLAKE is one of Britain’s best-loved illustrators of children’s books. His whimsical style, anarchist characters and their crazy antics have enraptured generations of children.
That said, my own daughter told me that as a child she found his illustrations “too messy, slapdash, the scribbly-looseness of it all turned me off, and all his characters seemed to have big noses, which I didn’t like.”
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