New releases by Interpol, Phoebe Bridgers, Lambchop
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Quentin Blake – doyen of children’s book illustrators
(L to R) Mr Magnolia by Quentin Blake and The Owl and the Pussycat by Edward Lear
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
Quentin Blake: Illustrating Verse
Kirkby Gallery / House of Illustration
QUENTIN BLAKE is one of Britain’s best-loved illustrators of children’s books. His whimsical style, anarchist characters and their crazy antics have enraptured generations of children.
That said, my own daughter told me that as a child she found his illustrations “too messy, slapdash, the scribbly-looseness of it all turned me off, and all his characters seemed to have big noses, which I didn’t like.”
Similar stories
JAMIE BRITTON welcomes a celebration of Leo Baxendale, who was always political and the godfather of British comics
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
RUTH AYLETT reviews two collections of outright political poetry