STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Centralia: Photographs by Poulomi Basu
Images of an unreported war in India
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
WE HEAR very little, if anything, about the long-running civil war between Maoist Naxalite guerillas and the forces of central government in the central Indian region of Bastar.
There, the indigenous population has been battling against corruption and central government indifference to their situation for decades and this book is a visual injunction to pay attention.
Indian photographer Poulomi Basu, a women’s rights and transmedia activist and journalist, has been working on Centralia for nine years in an ever-deeper journey into a labyrinthine conflict over land, resources and identity.
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