ANGUS REID questions whether a human scriptwriter is behind the multiple plagiarisms of Disney’s much-lauded and vacuous extension of the Alien franchise
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Papyllon
Resonant interpretation of butterfly's struggle for survival
TECHNICALLY IMPRESSIVE: Ella Mesma
ANDREW FILMER welcomes the reopening of Glasgow’s landmark theatre after a seven-year transformation
CHRIS SEARLE encourages you to go hear a landmark performance, and introduces some of the musicians
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THE coronavirus has had a particularly disastrous effect on dance, which is normally dependent on close bodily contact between dancers and on interaction with a live audience.
Digital works are seeking to fill the void by tailoring their choreography to suit creative filming techniques and the Ella Mesma Dance Company’s Papyllon is one such.
Based on the butterfly’s life cycle as a means to “interrogate identity, privilege and imposter syndrome,” Ella Mesma uses long aerial silks as her only props and wears an unpretentious flesh-coloured leotard which echoes her creamy mixed-race skin tones,
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