MARIA DUARTE and JOHN GREEN review Michael, The North, Exit 8, Rose of Nevada
Latest editorial
My camera is my weapon
Three internationally renowned female photographers, whose work combines visual innovation, aesthetic brilliance and militancy, talk to JOHN GREEN
Images: Maryam Firuzi; Nowhere Near, Alisa Martynova
[Maryam Firuzi; Alisa Martynova]
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
New releases from Public Image Ltd, William Basinski, John Luther Adams
Banksy’s identity may have been published – but was the investigation in the public interest, asks PETER BENGTSEN
RON JACOBS recommends a book that charts the disparate circumstances that defined the lives of two prominent black Afro-Americans — one a communist, the other an anti-communist
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
THEY come from different countries — Iran, Afghanistan and Russia — and each has their own unique way of expressing themselves, but what they have in common is their militancy and commitment to female emancipation and social justice.
Their powerful images are at present on show at the Festival of LaGacilly/Baden — Europe’s biggest open-air photography festival.
Thirty-seven-year-old Iranian Maryam Firuzi did not set out to become a photographer. She has a degree in calligraphy and film studies, has studied art, literature and architecture. Today, she sees herself as an artist rather than “just” a photographer.
Similar stories
Afghan women living under the Taliban are navigating a system that makes their public existence conditional on male approval, writes SHUKRIA RAHIMI
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation