IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Making a drama out of a crisis
Playwright MARK RAVENHILL talks to Tom King about how the lockdown and its impact on care homes has been the catalyst for his new radio play
(L to R) Angela Ravenhill in 2005; (top right) Mark Ravenhill; (Bottom right) Ravenhill as a baby in 1967 with his mother Angela and his father Ted Pic credit(s) (Lto R) Mark Ravenhill; shootget-treasurerepeat; Mark Ravenhill
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
THEATRE remains in crisis. Some have maintained an online presence through streamed and distanced productions but most have remained closed for over a year.
Even when the Luftwaffe was carpet-bombing London, intrepid theatregoers embodied the “blitz spirit” by attending productions frequently interrupted by air-raid sirens. But that threat — albeit severe — was from without and easy to identify. Now, invisible, it is among us.
When I spoke to playwright Mark Ravenhill, whose new production Angela has just been launched as a radio drama, he pointed out that the last time venues in the capital were shut for such a long time was in 1665, when the Great Plague was tearing through the city.
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