FIONA O’CONNOR and MARIA DUARTE review State of Statelessness, Rental Family, 28 Years Later: The Bone Temple, and The Rip
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Letters from Latin America: Literature, poetry and politics
Women writers fearlessly tackle the brutal histories of Brazil and El Salvador, national identity and family conflict
MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
CAROLYN FORCHE’S What You Have Heard Is True (Allen Lane, £25) is an electrifying memoir in which the acclaimed US poet tells how she became an activist in El Salvador during the late 1970s and early 1980s.
Forche’s was a trial by fire. She recounts how, as a 27- year-old poet and young teacher living in southern California, she became involved in El Salvador’s civil war through her contact with Leonel Gomez, nephew of Salvadorian poet Claribel Alegria.
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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
Read Sisters, the journal of the National Assembly Of Women, below.
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces