RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation

EMPTY HOUSES (Daunt Books, £9.99), Mexican writer Brenda Navarro’s first novel, is the devastating story of a mother who loses her small child in a playground somewhere in Mexico and her relentless search to find him.
It is also the story of a working-class woman who has kidnapped the child in order to fulfil her maternal desires and, fittingly, the chapters begin with epigraphs from the work of Polish poet Wisława Szymborska that set the tone for what it is yet to come.
The narrative alternates between the harrowing stories of these two desperate woman as they try to make sense of motherhood, mental and physical abuse and trauma in a novel that questions maternal instincts in patriarchies and the place of women in modern society.

A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin

LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez

LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro

LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency