GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
Letters from Latin America: August 27, 2024
LEO BOIX reviews a noir novel featuring flies, a fumigation company and two female ex-convicts by Argentinian Claudia Pineiro, an anthology by contemporary Latin American writers and collections of poetry by Chilean Gabriela Mistral and Puerto Rican Irizelma Robles
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
“I SEE a fly. A fly doesn’t exist, fluttering in front of my left eye. And I like saying it that way, almost a declaration of principles; I, Ines Experey, see a fly.”
This is how Time of the Flies (Charco Press) by Argentinian writer Claudia Pineiro begins. The novel delves into female friendship, motherhood, and the boundaries of crime fiction, taking it to new heights.
It features flies in various forms and intersperses the main narrative with a chorus of female voices in the Greek tradition of Euripides’ Medea. These voices debate concepts of maternity, sexuality, human relationships and feminism.
Similar stories
To defend Puerto Rico’s right to peace is to defend Venezuela’s right to exist, argues MICHELLE ELLNER
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
FIONA O'CONNOR recommends a biography that is a beautiful achievement and could stand as a manifesto for the power of subtlety in art
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock