Read my lips: Tai Haf Heb Drigolyn (Uninhabited Summer Houses), Rethink Everything
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Heart and soul-felt moment in Miami
SIMON PARSONS sees a stirring theatrical recreation of an historic encounter between four iconic black figures in the 1960s
Boxing clever: Miles Yekinni (left) and Conor Glean
[Johan Persson]
SUSAN DARLINGTON enjoys an imaginative revival of the dance classic
MARIA DUARTE and JOHN GREEN review Michael, The North, Exit 8, Rose of Nevada
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
New releases from Public Image Ltd, William Basinski, John Luther Adams
Banksy’s identity may have been published – but was the investigation in the public interest, asks PETER BENGTSEN
IT’S February 25 1964 and Cassius Clay is celebrating becoming world heavyweight boxing champion in a Miami motel room.
With him are three other iconic black Americans in Kemp Power’s fascinating play, which speculates about a meeting between them that actually took place.
All are at decisive points in their lives. Clay is about to join the radical Nation of Islam and change his name to Muhammad Ali, while Malcolm X, Clay’s spiritual and political mentor, is on the verge of a break from the same organisation.
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MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
When Patterson and Liston met in the ring in 1962, it was more than a title bout — it was a collision of two black archetypes shaped by white America’s fears and fantasies, writes JOHN WIGHT
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
JOHN WIGHT tells the riveting story of one of the most controversial fights in the history of boxing and how, ultimately, Ali and Liston were controlled by others