EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
IT’S February 25 1964 and Cassius Clay is celebrating becoming world heavyweight boxing champion in a Miami motel room.
With him are three other iconic black Americans in Kemp Power’s fascinating play, which speculates about a meeting between them that actually took place.
All are at decisive points in their lives. Clay is about to join the radical Nation of Islam and change his name to Muhammad Ali, while Malcolm X, Clay’s spiritual and political mentor, is on the verge of a break from the same organisation.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



