STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Global Routes with TONY BURKE: August 30 2023
Reviews of Afrobeat Classic Gentleman by Fela Kuti and Les Symphatics de Porto Novo Benin
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
NIGERIAN sax player, bandleader, composer, political activist and Pan-Africanist Fela Kuti is regarded (with his band Africa 70) as the father of Afrobeat, which combined West African music with funk and jazz, popular not just in Nigeria but across Africa.
Fela made his recording debut in 1970 and his 1973 set Gentleman is seen as an Afrobeat classic. One of his most political albums ever, its title track attacks the colonial mentality of Africans who maintain European customs and clothing styles. The album features a cover collage of a monkey’s head on a western-suited body.
The original Fela Kuti: Gentleman has been issued on vinyl to mark its 50th anniversary by Knitting Factory Records.
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