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The sound of liberation in Zimbabwe

How underground bands formed a vital part of the struggle against white supremacy

WHEN Samy Ben Redjeb of Analog Africa Records fell in love with African music in the 1990s it was music from Zimbabwe he admired the most — travelling to the country as much as he could, collecting records on sale in almost every shop and store.

His new album, Roots Rocking Zimbabwe — The Sound Of Harare Townships 1975-1980 features 25 tracks cut during the war of liberation in Zimbabwe (previously Rhodesia).

Under Rhodesia’s white-owned press, black people didn’t feature much — unless they were described as “dead terrorists.” But in 1972 The Rhodesia Herald printed a front-page photo of Manu Kambani, guitar player of the band Dr Footswitch (who could mimic Jimi Hendrix) with the caption “Jimi Hendrix is dead but Manu is alive.”

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