Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Geoffrey Clarke: Intuitionism, Pangolin London
Prints leave their mark on outstanding representations of the extraordinary in the ordinary
INTUITIVE: Two troughs and flat bar, 1964
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
PANGOLIN’S curating is exceptional and the decision to present the work of the sculptor Geoffrey Clarke predominantly through his prints is a gamble that pays off handsomely.
Contextualising Clarke’s work from the 1950s to the 1990s, it’s an inspired selection that demonstrates his formal and thematic concerns over decades.
More from this author
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
