New releases from The Mountains Goats, Ed O’Brien, and YHWH Nailgun
Latest editorial
The gen from Cannes
Star critic RITA DI SANTO recommends two outstanding depictions of working-class lives in England and Finland as the pick of the bunch
Ken Loach's The Old Oak (left) and Aki Kaurismaki’s Fallen Leaves (right) are the outstanding films of the festival
[IMDb]
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
BRENT CUTLER searches a new history of contemporary Iran for an understanding of the Islamic Republic, finding both interesting detail and glaring omissions
MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
THIS year’s Cannes Film Festival jury awarded the Palme d’Or unanimously to Anatomy of a Fall by French director Justine Triet.
It is a poignant and absorbing drama about the wife of a frustrated writer charged with his murder after his death in suspicious circumstances.
While their 11-year-old son tries to make sense of what happened, it is the woman’s way of life that appears to be under examination, more than the question of guilt.
Similar stories
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
Rita Di Santo speaks to Hungarian director LASZLO NEMES about his new film, a portrait of the French Resistance leader and hero, Jean Moulin