Banksy’s identity may have been published – but was the investigation in the public interest, asks PETER BENGTSEN
Chicanes
By Clara Schulmann
Les Fugitives Press, £12.99
“BAD seed” is the literal translation of this book’s original French title, Zizanies. The title refers to troublesome women – disrupters, complainers, women who choose trouble rather than swallowing their anger.
In Chicanes, French art critic Clara Schulmann gathers numerous excellent artists and thinkers, women all, surrounding herself with their voices as she considers challenges to her own life.
The book is a seed catalogue of sorts; translated from the French and published by Les Fugitives, it brings together ideas and discourses from a wide range of arts: literature, film, painting and sculpture. The author delves into the voices of other women to consider her own fresh losses – a relationship break-up and a much loved job suddenly withdrawn. Commonplace happenings, Schulmann notes, but she uses them to devolve a multiform response in conversation with woman.
PETER MASON welcomes collected writings from Britain’s first black female publisher that focus on the place of black writers in literature
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
FIONA O'CONNOR recommends a biography that is a beautiful achievement and could stand as a manifesto for the power of subtlety in art
FIONA O’CONNOR steps warily through a novel that skewers many of the exposed flanks of the over-privileged



