RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
Latest editorial
Devastating theatre offers a totalised view of humanity
ANGUS REID recommends a production that explores the urgent need to be reacquainted with the dangers of repression and the difficult path to selfhood
CONSUMMATE: Lorn MacDonald as Sigismundo
[Ryan Buchanan]
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ANDY HEDGECOCK and MARIA DUARTE review Good Night, and Good Luck: Live from Broadway, Becoming Victoria Wood, Hamnet, and Song Sung Blue
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
Life Is A Dream
Lyceum Theatre, Edinburgh
THREE centuries before psychoanalysis, Spanish playwright Pedro Calderon proposed his own “interpretation of dreams.”
After a trauma that has disposed of the father and left the mother in charge, the thing she most fears has been locked away. This is the price of courtly stability and a fragile peace in the realm.
Life Is A Dream opens when the trapdoor is flung back and the unconscious emerges to take revenge in the form of a snarling humanoid, a bundle of primitive drives supercharged by sex and aggression.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
MARY CONWAY applauds a brilliant theatrical adaptation of Sam Selvon’s classic 1950s novel of oppression, betrayal and resilience