APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
David Koloane: Something out of nothing
Outstanding work from subtle chronicler of apartheid injustice
KOLOANE: Three Women, 2015
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
DAVID KOLOANE, who died last year at the age of 81, produced work that shines with a rare glow of truth which will stand the test of time. Some of it can be seen in the exhibition of his work currently online at the Goodman Gallery in London.
Koloane grew up in the Johannesburg township of Soweto and although he’d been drawing since his schooldays, he recalled: “I was a late starter. I never knew that black people could become artists ... I was amazed to discover that black people were allowed in art galleries.”
Apartheid is at the root of his work, with his subject urban life as experienced by black Africans and modernism frees him to express oppression and resistance with a rare passion and subtlety which avoids simplistic didacticism.
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MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage