MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
IN THE 1970s, when concrete was king, the people of Britain had a brutalist streak to match.
While these days the taking of offence is virtually a national sport, back then there was little need to search for insult. Abuse, in its multiple forms, came straight to your face — and often with a slap for good measure.
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright
ANGUS REID applauds the ambitious occupation of a vast abandoned paper factory by artists mindful of the departed workforce



