JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
Ambitious political satire
GORDON PARSONS applauds one of those few brave plays to confront the politics of our world head on
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
PAUL DONOVAN is fascinated by an account of the long history of Catholic Church’s involvement in espionage
ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
DAVID NICHOLSON welcomes an overdue revival of WNO’s classic production, complete with protests against cuts
The New Real
The Other Place, Stratford-upon-Avon
SINCE his ground-breaking Destiny in 1976, exploring the complexities underlying the BNP surface of British fascism, there is an air of excited expectancy when David Edgar presents another of his epic dramatic analyses of the political scene.
Just as in his latest book, The Populist Right, examining the current explosion of right-wing movements throughout Europe, The New Real engages with the shift in the political tectonic plates throughout the continent.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
Similar stories
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas
MAYER WAKEFIELD speaks to playwright David Edgar about the political analysis that underlies his two new plays
GORDON PARSONS applauds a compelling dramatisation of the tortured process by which the 1997 conference failed to address global warming
Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS