ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Ambitious political satire
GORDON PARSONS applauds one of those few brave plays to confront the politics of our world head on
MESSING WITH MEDIA: David Edgar's The New Real
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The New Real
The Other Place, Stratford-upon-Avon
SINCE his ground-breaking Destiny in 1976, exploring the complexities underlying the BNP surface of British fascism, there is an air of excited expectancy when David Edgar presents another of his epic dramatic analyses of the political scene.
Just as in his latest book, The Populist Right, examining the current explosion of right-wing movements throughout Europe, The New Real engages with the shift in the political tectonic plates throughout the continent.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
