STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
‘Writing this tune was a very emotional process’
MAKIKO HIRABAYASHI talks to Chris Searle about her elegiac reflection on the Fukushima tsunami
EVER INVENTIVE: Makiko Hirabayashi
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
COSMOPOLITAN to her very musical core, pianist Makiko Hirabayashi was born in Tokyo in 1966. Her mother was a pianist and English teacher and her father worked in the motor industry.
They moved to Hong Kong, where Hirabayashi spent her teenage years imbibing electropop, new wave, punk, reggae, rock and the classics before gaining a scholarship to Berklee jazz conservatoire, where she became fascinated by Boston’s live music scene and was inspired by pianists Keith Jarrett, McCoy Tyner and Joe Zawinul.
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
