MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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Ross Sutherland - Macbeth
Well Versed is edited by Jody Porter
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Macbeth
Ross Sutherland
Once the body was split from the head,
which part of the corpse was still called Macbeth?
A gangster is found dissolved in a bath,
where passes his debts? All those breaths
of brickdust inhaled at St Peter’s Basilica
so what, am I blessed? Face like a Bafta,
I once told a man I was turned on by voting booth
curtains. That given half a chance, I’d sex
the box where Schrödinger’s Cat once was
or was not. Maybe I only half-said it in jest.
What’s a guy got to do for an Aztec death?
Kill a dog to go with me. On the form of my flesh,
tick here if you want to remember me.
Best,
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SETH SANDRONSKY recommends a production that looks back at the political Tinseltown in the mid-1970s when US cinema ‘didn’t pander to trends’
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
RUTH AYLETT reviews two collections of outright political poetry
by Widad Nabi