PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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The fly in the ointment
CHRISTINE LINDEY takes issue with the reactionary agenda of an exhibition of marvellous Russian revolutionary art
LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
The Bard hands out medals for his Edinburgh campaign and urges us to support The Men They Couldn’t Hang
IN JANUARY 1918 the Russian Soviet Republic was the first state in the world to officially support the avant-garde.
Fired by the revolution’s socialist ideology, artists rejected the tsarist regime’s fussy forms and fusty techniques, to embrace the latest technology.
They incorporated industrial forms into art, design, architecture and film which epitomised and promoted modernity.
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HENRY BELL salutes a fine portrait of a revolutionary who remains a deeply significant and provocative figure
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist