Skip to main content
Advertise Buy the paper Contact us Shop Subscribe Support us
Dream makeover
GORDON PARSONS relishes a production in which Shakespeare’s language gives way to frenetic action and impressively colourful visual effects

A Midsummer Night’s Dream
The Royal Shakespeare Theatre
Stratford-upon-Avon

THE FAMOUS 17th century diarist and avid playgoer, Samuel Pepys, thought A Midsummer Night’s Dream the most ridiculous play he had ever seen. 

And, indeed, on the plot level — ancient Athenians mixed with fairy magic and a determined group of working-class tradesmens’ comic attempts to put on a play within the play — the dream is the bard’s silliest work. 

More discerning critics have recognised a much richer play, exploring, among other themes, the illusory psychology of love. 

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
Best of 2024 / 3 January 2025
3 January 2025
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
Theatre review / 29 November 2024
29 November 2024
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
Gig Review / 6 October 2024
6 October 2024
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
Interview / 15 March 2024
15 March 2024
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
Theatre Review / 13 December 2024
13 December 2024
SIMON PARSONS questions whether a dark take on Shakespeare’s Seasonal comedy is in harmony with the original text
Theatre review / 21 August 2024
21 August 2024
GORDON PARSONS applauds a production which turns a Jacobean obscurity into a dreamlike journey
Theatre review / 29 July 2024
29 July 2024
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
Theatre review / 24 April 2024
24 April 2024
Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS